Hi everyone,

It’s now almost halfway through 2023, and ample time to share some of the creative ventures of this past half year.

In case you missed the premiere performances of Whispers, a new piece for string quartet I wrote for Chamber Music Adelaide and MOD.’s Invisibility commissions, there’s now a recording available, performed by violinists Lachlan Bramble and Emma Perkins, violist Martin Alexander and cellist Sharon Grigoryan.

Hi everyone,

2022 has flown by almost in the blink of an eye, and, catching my breath after a few intense months past, I’m excited to share some of the things I’ve been up to since the middle of the year…

Hi everyone,

Since my last correspondence in February, things have amped up quite a lot!

Kicking off the new year, I started as the new administrator for Soundstream: New Music, an Adelaide new music outfit…

Hi everyone,

It’s likely cliché at this point, but what a year 2021 was.

For myself, 2020 seems like a warmup to this past 12 months. Whereas that year’s university casual teaching transitioned into an online space, 2021 began with a cessation of that work due to COVID-influence budget cuts, placing me in the same precarity as other performing arts colleagues had already been experiencing...