these past months have been a blur of planes, poems, and polar patterns of sound — birthday beaches in Thailand, sticky nights in Bangkok, elephants in Chiang Mai 🐘, then on to misty Scottish hills, old family hearths, and Fringe chaos under Arthur’s Seat 🏴.

from there: York, where I deepened my ambisonic practice among ivy-covered studios and Viking echoes. Birmingham brought speakers like constellations, BEAST shows, Tolkien woods, and slow field recordings under a quieter autumn sky 🍂.

somewhere in between: ruined pianos, sacred ruins, synchronicities with strangers who weren’t strangers after all.

travels and performances in the Philippines, a new improvisation duo with Keira Simmons, musical direction at Adelaide Cabaret Festival, installations and presentations at ISEA 2024, surround sound works at Chamber Music Adelaide Festivals, and more!

A recap on Jan-April 2024, featuring my Arts SA Fellowship, performances in Adelaide Festival, cross-continental ruined piano exchanges, interstate artist residencies, and more!

The year’s almost over, and there’s plenty that’s filled the past few months – here’s a little synopsis of what I’ve been up to…

In July, I started a new position as Research Associate on joined a new Australian Research Council-funded project at The University of Adelaide, ‘Fine Tuning: A Reconciliation of Indigenous and Western Musical Traditions’.

This important project explores the musical tuning systems of several First Nations’ songlines...