
Das Wasser Im Bade
a collaborative work with Ray Harris and Cynthia Schwertsik, as part of Adhocracy 2020 by Vitalstatistix
Das Wasser im Bade is an experimental exploration of commodified use of water in our daily lives, through sound, video and performance works made from the mundane to the sublime in suburban waterways. Jesse Budel is a composer, performer and sound artist with a research focus on arts-science explorations of environmental soundscapes, including aquatic environments. Ray Harris is an artist working in performance, video, sculpture and installation exploring the self and everyday fantasy states. Austrian-born artist Cynthia Schwertsik has an art practice that includes visual art and contemporary performance with a focus on participatory inclusion.
Through observations of visible and invisible urban water ways, this project centres on the use and dependence of water within a deep concern for the environment and our place within it. We extend into a consciousness of the relationship of human impact on the environment as a consequence of our actions, Das Wasser im Bade dives into water on the fringes of our comfort zones and explores entropy in absurd attempts to hold on to water.
In the search for the perfect bath, Jesse’s soundscape captures the tactile nature of being submerged in various bodies of water from the domestic to man-made and natural reservoirs. While Ray and Cynthia move with and against the flow of water in relation to the body. After all, throwing the baby out with the bathwater alludes to the commodified relationship contemporary culture has to water – as we expect clean aqua through pipes and taps and to odourlessly and swiftly escape through drains. Domesticated water is insisted, when and where we want it for our comfort zone and recreational needs. We take it for granted that we have ample supply without much contemplation, even while living in a drought beaten country.
This project has developed from the collaborating South Australian artists’ responses to each other’s work and their mutual interest in water; psychologically, scientifically and politically. This is the first time the artists have all worked together.
Das Wasser Im Bade (CONCERT VERSION)
for prerecorded track, cristal baschet and prepared piano
first performed 1 November 2020 by Dylan Crismani (cristal baschet) and Jesse Budel (piano) at Madley Rehearsal Space, The University of Adelaide for Soundstream Collective’s EMERGE concert.
Program Note
Das Wasser Im Bade (The Water In The Bath) is a concert rendering of a soundscape composition developed for the eponymous project developed with Ray Harris and Cynthia Schwertsik as part of ADHOCRACY 2020 at Vitalstatistix. Through observations of visible and invisible urban waterways, the original work centres on the use and dependence of water within a deep concern for the environment and our place within it.
Extending into a consciousness of the relationship of human impact on the environment as a consequence of our actions, Das Wasser Im Bade dives into water on the fringes of our comfort zones and explores entropy in absurd attempts to hold on to water. The soundscape begins exploring local domestic activities, which accumulate and shift to focus on communal waterways, culminating in large scale environmental bodies of water.
This version of the work draws on the aqueous nature of the original, with complementing instrumental parts for cristal baschet, an instrument played through stroking glass rods with wet fingers, and piano, an instrument with abundant repertoire exploring the activity of water.
Dylan Crismani (on cristal baschets) and myself (on piano) performing Das Wasser Im Bade at Soundstream’s EMERGE concert, 1 Nov 2020
Photo by Jenny Hu